In the seventh week of 2026 and Olivia Dean's Man I Need maintains its thirteenth consecutive week as the #1 song in Australia, along with a third sales certification for the year.
Olivia Dean has the only five Top 50 sales certifications this week (four singles and her album), with Man I Need rising to 5x▲Platinum in sales, having previously achieved 3xP (Jan. 19th) and 4xP (Jan. 26th) already this year, the song also continuing its overseas dominance in New Zealand (19th week, longest ever there) and newly securing the pole position in Canada for the first time (also their first new #1 of 2026), while it re-peaks at #2 in The U.S.A. and holds within the Top 10 in The Netherlands (#3), England (#8) and Ireland (#10).
A thirteenth week at #1 for Man I Need makes it now the third longest running chart-topper for this decade, behind APT. (14 weeks) and two songs at 17 weeks apiece; Stay for The Kid LAROI and Justin Bieber alongside Ordinary for Alex Warren. The song is also now the equal ninth longest running #1 of all time (1940 to 2026), alongside other ARIA-era entries Gangsta's Paradise by Coolio (1995-96), Despacito for Luis Fonsi & Daddy Yankee with Justin Bieber (2017) and Old Town Road by Lil' Nas X feat. Billy Ray Cyrus (2019), while pre-ARIA there was also Hey Jude / Revolution for The Beatles (1968-69), Don't Fence Me In for Bing Crosby with The Andrews Sisters (1945) and the third English act here in Vera Lynn with You'll Never Know (1943).
Olivia Dean becomes the longest running Solo Female English act to stay at #1 since that Vera Lynn feat 83 year ago (Vera also has the longest running #1 by an English artist at 19 weeks), while only one English artist has spent longer at the top this century in Ed Sheeran's Shape of You at 15 weeks (2017). Olivia also becomes the equal fifth highest placed #1 holder for this decade, tying with the thirteen weeks achieved by Miley Cyrus (from two #1's), while she also holds down the Top Two spots on the singles chart again this week as So Easy (to Fall in Love) remains at it's #2 peak for a second week, again matching the New Zealand feat (now for a twelfth week there), while the track rises to 2x▲Platinum in sales locally too.
After cracking one-year-charted last week the Alex Warren track Ordinary is up two places to #3 and clocking up a 45th week within the Top 10, the equal fifth longest stay of all time (tied with Bad Habits for Ed Sheeran {2021-22}), which is helped back up the charts after his recent Grammy's performance. Another act who sees a worldwide-telecast-performance-benefit this week is recent GRAMMY 'Album of the Year' winner and this past week's half-time SUPER BOWL performer in Bad Bunny, who claims the #4 spot on both charts this week, as his album leaps sixteen spots to #4, while his song DtMF zooms up seventy-one spots from last week to land at #4 this week, becoming in the process his first Top 10 placement in Australia and also his second Top 50 berth, as his guest appearance on K-POP for Travis Scott with The Weeknd made it to #22 (Aug. 7th, 2023), with this week BB securing three Top 50 slots thanks to his performance, while overseas the DtMF jumps in Germany (36 to #1), The Netherlands (69 to #2), Ireland (33 to #2), England (43 to #4), New Zealand (#4), The U.S.A. (#10) and Canada (#12), those last three are all re-entries too (the last two only reflect his Grammy wins, not his half-time show, that'll affect their charts on Monday) {BTW: I think Despacito was the last Spanish language song within the Top 10, remind of something else if I'm wrong}.
After three weeks of peaking at #3 the RAYE track WHERE IS MY HUSBAND dips two places this week to #5 (#1 Hip Hop/R&B Single), which is followed by back-to-back Taylor Swift tracks, as her 19-week running Top 10 entry and former #1 The Fate of Ophelia dips two places to #6 (losing the #1 slot in Canada for the first time too), while the official second single from her Showgirl album is Opalite, which this past week saw the video clip and a physical edition of the song released, which helps to propel it back up the chart twenty places higher than last week at #7, racking up its ninth overall week within the Top 10 (HP-2x2 upon entry October 13th and 20th, 2025). Opalite also leaps overseas in England (15 to #1, her sixth #1 song there), Ireland (27 to #3), New Zealand (27 to #7, same as here), Germany (26 to #14) and The Netherlands (63 to #24).
The sombr track 12 to 12 and Golden for K-Pop Demon Hunters act HUNTR/X both fall two places each to #8 and #10 respectively, while the third and final non-mover within the Top 10 sees Raindance for Dave and Tems remaining stable at #9 for a second week, with the song losing the top spot in England after two broken weeks as their top-seller, while it hits a new peak of #6 in The Netherlands.
TOP 20: The new #1 song in Ireland is the first of two NEW PEAKS here, as Rein Me in for Sam Fender and Olivia Dean is here up two spots to a new chart height of #14, while it also hits re-peaks in England (#5), and hits new heights in New Zealand (19 to #12). Another team scoring a NEW PEAK is PinkPantheress and Zara Larsson with Stateside, which after two broken weeks of a #20 peak is this week up three spots to #17 (also new peaks in England #10, New Zealand #19 and Germany #37).
The two songs leaving the Top 10 this week are No Broke Boys for Disco Lines and Tinashe (HP-3x2, WI10-30), down one to #11 and still the #1 Dance Single, which is followed by a five place fall to #12 for the Djo entry End of Beginning (HP-3x5, WI10-11, #1 On Replay single), while his album The Crux also lands a Top 20 LP berth this week too.
The sombr track back to friends dips one spot to #15, while he also scores his fourth Top 20 entry this week too. Olivia Dean's two entries here both decline two-places each, with Nice to Each Other down to #13 and A Couple Minutes dips to #19 and is newly ▲Platinum in sales. I Just Might for Bruno Mars drops three places to #16, while the biggest fall here is an eight-place slump to #20 for the three-week old Harry Styles entry Aperture.
TOP 30: The final NEW PEAK within the Top 50 this week goes to the #1 Australian Artists Singles Chart holder, Tame Impala's Dracula, which flies up ten places to land at #22 (former peak #26 on Feb. 2nd after the J100#3 place-holder), with the track featuring a new remix with JENNIE as extra vocalist, the song also seeing NEW PEAKS in both The Netherlands (75 to #34) and New Zealand (#39), along with rises in England (65 to #25), Ireland (#35 return) and Germany (#54 debut).
The only other rising song here goes to Sabrina Carpenter's Manchild, up five spots to #29, while her appearance on Friday on the revamped Muppet Show as their 'special-guest' could boost her up again next week (as she beat-up a bar of drunk Muppets while performing the song dressed as a waitress; as well as duetting with both Kermit and Miss Piggy on Island in the Stream).
Ella Langley saw her track Choosin' Texas peak at #18 last week, this week it drops three places to #21, BUT it did climb into the #1 spot in The U.S.A. this past week, as well as new peaks in both Canada (#6) and England (#35), while also losing three chart-rungs is the fourth and final sombr track Undressed, down to #26. Justin Bieber has a return to the lower part of this week's Top 50, while his DAISIES track is down two to #23, with Olivia Dean seeing her Baby Steps also move two to #30, but it is her fourth and final singles sales certification this week, now ▲Platinum in sales. Love Me Not for Ravyn Lenae falls five to #24, last week's highest entry for Noah Kahan and The Great Divide falls twelve to #27 (#2 entry in his native Canada, and #6 in The U.S. this past week), with Die on This Hill for SIENNA SPIRO climbs down four to #28.
TOP 40: The two rising entries here do so for very different reasons, with eight-place climber Chappell Roan and her track Good Luck, Babe! rising to #36 thanks to headlining this year's LANEWAY Festival, while Justin Bieber's YUKON leaps twenty-one rungs to land at #37 thanks to his performance of the track at the GRAMMYS last week, while the track also accumulated it's 26th week within the chart (half-a-year charted).
Gaga & Bruno's Die with a Smile is the smallest declining entry here, down two to #39, with six-place slips seen by both BIRDS OF A FEATHER for Billie Eilish and A Bar Song (Tipsy) for Shaboozey to #31 and #35 respectively. Seven-place drops go to both Fred Again.. with Victory Lap (to #33) and Let Alone the One You Love for Olivia Dean (to #39), while two tracks drop ten-spots apiece; I Run for HVN (to #32) and 4Raws by EsDeeKid (to #40).
TOP 50: One song manages to hold steady here, the rest are falling downwards, with Fame is a Gun for Addison Rae remaining stable at #47, with the two smallest drops being one-place falls for both Gabriela by KATSEYE (to #49) and Espresso by Sabrina Carpenter (to #50, which at 96 weeks charts is nine weeks away from departing the T100).
Down four is Sailor Song for Gigi Perez (to #44), three songs fall six-spots each; That's So True for Gracie Abrams, Just Keep Watching by Tate McRae and THE DAYS - NOTION Remix by Chrystal to #41, #45 and #48 respectively, with Tate also seeing two more of her tracks falling in Sports Car (down nine to #42) and TIT FOR TAT (drops seven to #43), while the Post Malone and Morgan Wallen teaming I Had Some Help falls eight places to #46.
NEW ENTRIES: * #18 - Homewrecker - sombr (Warner Records) is the fourth Top 20 and now sixth Top 100 entry for the artist born Shane Boose (in 2005), with this new track NOT taken from his debut album I Barely Know Her (TW #12, HP-4), but it was first performed at the recent GRAMMY Awards and issued after the ceremony. This new song has also charted overseas in Ireland (#13), England (#14), New Zealand (#26), Sweden (#28), Norway (#41), Germany (#42) and The Netherlands (#45).
* #25 - NUEVAYoL - Bad Bunny (Rimas Ent./The Orchard) * #34 - BAILE INoLVIDABLE - Bad Bunny (Rimas Ent./The Orchard) are two more previously issued singles from Bad Bunny's album DeBÍ TiRAR MáS FOToS, which flies up to #4 this week thanks to his recent GRAMMY wins and this past week's SUPER BOWL half-time show, with both events seeing him become the first Spanish speaking artist to both win 'Album of the Year' and play the half-time show. These two tracks have also seen chart-action overseas with NUEVAYoL (phoneticiation for Puerto Ricans of "New York") debuting in New Zealand (#30), scoring NEW PEAKS in Germany (85 to #7), Ireland (#11 re-entry), The Netherlands (81 to #12), England (#15) and re-entries in both The U.S.A. (#28) and Canada (#33), while BAILE INoLVIDABLE (Spanish for "Unforgettable Dance") debuted in New Zealand (#37) and returned to the charts in Germany (#12), Ireland (#14), The U.S.A. (#19), England (#20), The Netherlands (#21) and Canada (#38).
KARNIVOOL secure their second and successive #1 Album this week with IN VERSES, twelve and-a-half years since their previous chart-topper.
IN VERSES (Cymatic/Sony) becomes the 1039th #1 Album in Australia (1965 to 2026), the 890th for ARIA (1983 to 2026), the 666th #1 debut, the third (new) and fourth (overall) #1 Album for 2026, and the second on their label Cymatic label after their previous release Asymmetry (LP#3, HP-1x1, July 29th, 2013, 667th #1 Album in Australia), plus their third Top 10 entry after Sound Awake (LP#2, HP-2, June 2009), while they first charted with Themata (LP#1, HP-41, Feb. 2005).
The act issued their first new music in December of 2021, the track All it Takes (a 2025 Remastered version of this song is on the album), after which they issued three singles in 2025, Drone, Aozora and Opal, while the fifth issued track from the set is called Animation. This new set also lands the #1 spot on the Vinyl Chart and the Australian Artists Album Chart, plus a few overseas entries in Germany (#17), Scotland (#28), New Zealand (#36), Belgium (#81) and the UK Sales Chart (#16) and UK Metal Albums Chart (#2).
KARNIVOOL become the first Australian act to score a #1 in 2026, with the last local artists at the top being 5 Seconds of Summer on November 24th, 2025 (13 weeks ago), while overall this is now the 299th chart-topping album for an Australian act (since the first in 1968) and the 441st by a Group (whether local or overseas). It's the 30th time that the word 'In' has appeared in a #1 Albums title (with nine of them starting with 'In', including sets for other local acts like Tina Arena and Cut Copy), while it's the first for 'Verses', although we have had two 'Vs.' in the past for Pearl Jam (Oct. 1993) and Noiseworks (July 1991).
Olivia Dean slips back down to #2 for the third time this year (she's been at #1 for four weeks and #2 for three weeks, as the year is now seven weeks old), along with the No.8 Vinyl slot, The Art of Loving picks up a new sales certification of ▲Platinum in sales (it went Gold on December 1st, 2025), while the set maintains its #1 spot overseas in New Zealand (16th week), Ireland (10th week), England (7th week), loses the top spot in The Netherlands (TW #3, 5 weeks at #1), peaks at #3 in Canada, slips one spot to #4 in The U.S.A. and rises to #9 in Germany.
Japanese/Australian artist Joji sees his fourth studio album Piss in the Wind debut at #3 (No.2 Vinyl), becoming his fourth entry and Top 20 placement, while also his third Top 10/3 Album too, as he previously charted with Smithereens (LP#3, HP-3, Nov. 14th, 2022), Nectar (LP#2, HP-1x1, Oct. 5th, 2020) and his first entry was Ballads 1 (LP#1, HP-17, Nov. 5th, 2018). Joji's fourth set also lands Top 10 entries overseas in Scotland (#2), Germany (#4), England (#6), The Netherlands (#9) and New Zealand (#10), along with Lithuania (#14), Norway (#26), Belgium (#28), Ireland (#37) and Italy (#63).
Two weeks ago, Bad Bunny won the GRAMMY Award for 'Album of the Year' for his sixth studio album DeBÍ TiRAR MáS FOToS, which helped to propel it #39 to #20 on last week's chart, and during the past week he played the half-time show at the SUPER BOWL in The U.S.A., which helps his album leap again this week, up sixteen places to a NEW PEAK of #4 (No.6 Vinyl), plus his previous release Un Verano Sin Ti makes a #47 debut within the On Replay Albums Chart (the album never made the Top 100 upon release in May 2022). The half-time show also boosted his album all over the world, with the set leaping to new peaks in Germany (13 to #1), England (44 to #2), Ireland (27 to #2), The Netherlands (8 to #2), New Zealand (16 to #4), along with post-Grammy rises in The U.S.A. (9 to #2) and Canada (36 to #5) {their new charts come out on Monday, so the affect will be seen then}.
With two Top 10 singles again this week from Taylor Swift's The Life of a Showgirl, it dips only two places to #5 (No.13 Vinyl), while the soundtrack for KPop Demon Hunters falls four this week to land at #6. Falling three-places are Tate McRae with SO CLOSE TO WHAT??? and Man's Best Friend for Sabrina Carpenter to #8 and #10 (No.16 Vinyl) respectively, while on hold in-between those two is the Alex Warren set, You'll Be Alright, Kid at #9.
The third and final Top 10 entry this week is the seventh studio album for J. Cole called The Fall-Off, landing at #7 (#1 Hip Hop/R&B Album), his first new studio album in almost five years, as he last charted with The Off-Season (HP-3, May 24th, 2021), while he did issue the mixtape Might Delete Later in-between studio albums, which peaked at #2 (April 15th, 2024), making this new entry his ninth overall (7 studio, 1 compilation and 1 mixtape) and sixth Top 10 placement too.
TOP 20: The Laneway Festival is on around the country at the moment, and two acts within the line-up who see jumps into the Top 20 this week, and also NEW PEAKS are ROLE MODEL with Kansas Anymore (up twelve to #17, was HP-21) and Geese with Getting Killed (up forty-eight places to #20, was HP-22; also No.3 Vinyl), with a third NEW PEAK here going to the Djo set The Crux which flies up a quarter of the chart, twenty-five places, to #19 (was HP-23 on January 19th) thanks to a physical release of the Deluxe edition, which also helps it to score the No.5 spot too. Laneway headliner Chappell Roan also benefits from her tour here, with The Rise & Fall of a Midwest Princess jumping to #1 (LW #10, No.17 Vinyl) atop the On Replay Albums Chart this week.
Three of the four Top 10 departures land back-to-back this week, with a third-time-exit for the Sabrina Carpenter set Short N' Sweet (previously only outside of the Top 10 twice before this week, on Nov. 3rd, 2025 {#11} and Sept. 1st, 2025 {#12, its lowest ever position}) HP-1x13, WI10-74, down three spots to #11 [plus she is back-to-back with herself at #10], followed by the sombr set I Barely Know Her (HP-4x2, WI10-19) dipping two to #12 and last week's highest entry for the Don Toliver set Octane (HP-4, WI10-1), falling nine to #13, while the album debuted at #1 in The U.S.A. and Canada this past week too.
Dipping one spot each are EsDeeKid with Rebel and I'm the Problem for Morgan Wallen (#1 Country Album) to #14 and #15 respectively, with the only album on hold here at #16 for the Billie Eilish set HIT ME HARD & SOFT (No.19 Vinyl), while current tourist Ed Sheeran sees his Play set dip three places to #18.
TOP 30: Lainey Wilson blows her Whirlwind (Deluxe) album up fifty-three places this week to land at #24 (LW #77, No.9 Vinyl) thanks to her national tour, which lasts until the 22nd of February (so another jump possibly next week), with the set previously peaking at #8 on Sept. 1st, 2025, when the Deluxe edition was issued.
The three other rising entries here are for Gracie Abrams' The Secret of Us (up three to #21), The Tortured Poets Department by Taylor Swift (up two to #23) and BRAT for Charli XCX (up one to #25, her Wuthering Heights soundtrack music dropped on Friday), while on-hold is half-time SUPERBOWL guest performer Lady Gaga with MAYHEM at #30.
Lily Allen's Vinyl surge last week for West End Girl (HP-6x2, WI10-4) sees it fall twenty-one places this week to land at #27 (No.15 Vinyl), with four-place falls seen by both Fred Again.. and USB (to #22) and Zach Bryan's With Heaven on Top (to #26), while the dual-dropping for Zach and The Kid LAROI has been separated by one-spot this week, with his latest set BEFORE I FORGET falling five to #28, followed by the A$AP Rocky album Don't Be Dumb (down eight to #29).
TOP 40: Six of the eight entries here rise up, with the two largest being the PinkPantheress mixtape Fancy That (up fourteen to #31), while scoring a NEW PEAK at #37 (former HP-55 last week) is the mixtape for Malcolm Todd called Sweet Boy, rising eighteen places this week after three weeks in the lower 50.
Smaller rises are seen by the Jessie Murph set Sex Hysteria (up two to #32), Justin Bieber's SWAG I + II (up four to #33) and single place rises for both CHROMOKOPIA by Tyler, the Creator and eternal sunshine for Ariana Grande to #34 and #38 respectively. The two falling sets decline 20+ places each: Love Balloon for Ocean Alley (down twenty-four to #36) and the self-titled Megadeth set (falls twenty-one to #40).
TOP 50: The only rising entry here rebounds from the lower fifty, up only five places to #46 for the ENHYPHEN EP THE SIN: VANISH, while the smaller drops here are GNX for Kendrick Lamar (dips one to #42), 96 Months for Calvin Harris (down two to #49), along with Even in Arcadia by Sleep Token (down four to #44) and the Post Malone set F-1 Trillion (down six to #48).
The four other drops all fall ten spots or more, locket for Madison Beer (down ten to #41), If That Makes Sense for Spacey Jane, Deadbeat by Tame Impala (both down eleven spots each to #43 and #47 respectively), while down twelve to #50 is the Royel Otis hickey set. Last week's Top 20 entries for the Stranger Things Season 5 soundtrack (#11) and the Radium Dolls title Wound Up (#17) both leave the Top 50 this week.
FURTHER NEW ENTRIES: * #1 (LP#4) - IN VERSES - KARNIVOOL (Cymatic Records/Sony)
* #3 (LP#4) - Piss in the Wind - Joji (Palace Creek/Virgin)
* #7 (LP#7) - The Fall-Off - J. Cole (Interscope)
* #35 (LP#5) - Normal Isn't - Puscifer (Alchemy/BMG US) is the fifth album and now fourth entry for the American rock band from California, who last charted with Existential Reckoning (LP#4, HP-92, Nov. 2020), while this is only their second Top 50 placement in Australia, as their first set V is for Vagina peaked at #27 in November of 2007.
* #39 (LP#2) - Mentalized - Skeleten (Astral People) is the second album for the Sydney artist which was issued this time last year (Feb. 7th, 2025) and makes its Albums Chart entry thanks to it being issued on Vinyl recently, where it lands at No.4 on the Vinyl Chart this week.
* #45 (LP#1) - rager - Blusher (Atlantic/Warner Australia) is the debut Album for the three-piece Aussie all-girl act from Melbourne, with this set containing one new song (rager) along with the previous six-track EP RACER (August 20225 issued), with the six songs from the original EP getting a remix as the second to seventh tracks on the album.
New Accreditations/Certifications: Singles: Man I Need - Olivia Dean ▲5 So Easy (to Fall in Love) - Olivia Dean ▲2 A Couple Minutes - Olivia Dean ▲ Baby Steps - Olivia Dean ▲
Album: The Art of Loving - Olivia Dean ▲
Extra: I've Seen it - Olivia Dean ●
*ARIA Chart info is based on sales for the week is from the 6th to the 12th of February 2026.
New Albums coming this week from: * Chet Faker * Keli Holiday * Kisschasy * Big Runga * SIX60 * Ray Stevens * Howling Bells * Converge * Lauren Spencer Smith (dlx) * Troye Sivan (10th Ann. Ed.) * Melissa Aldana * Sarah Kinsley * Story of the Year * Neba Solo & Benedo Diakite * Gogol Bodello * Remember Sports * Angel Dust * Ásgeir * Mariachi El Bronz * Danny L. Harle * hemlocke springs * August Ponthier * Brent Faiyaz * Jill Scott * The Lone Bellow * Stetson, Fox & Dunn * Charli XCX soundtrack for 'Wuthering Heights'
Just wondering if anyone can provide further clarification on a Ninajirachi chart peak for "All I Am", which supposedly entered on the chart dated 10 March 2025 but I can't find any proof that it did. This link (https://www.instagram.com/reel/DG4yUzhSQQb/) states that it debuted on the Singles Chart but neither that weeks' charts nor do the preceding/following ones show any trace of her anywhere, and the Chartifact posts from the same timeframe show no evidence of it occurring either.
It's a little ambiguous, but when ARIA say that, I believe they're referring to their in-house, not publicly posted Australian Artist Singles chart. It's an extension of the one that's on the site (top 20), but I think went all the way down to a top 100. I believe there was a recurrency rule in effect that probably kicked in around #40 or so and it meant that a lot of singles that weren't within a mile of the official charts were able to get in, and ARIA could make a post about it. Of course, since they changed the rules last year, it wouldn't surprise me if "All I Am" might have been able to sneak in or around the top 20 had they been in place sooner. Hope that helps.
The top 9 of the On Replay singles chart is the same as last week, meaning it's a 6th week for "End Of Beginning" and "Lush Life" as the top 2. Dominic Fike's "Babydoll" climbs from its #45 debut to #19. It has entered the Spotify top 50 both in Australia and worldwide in the last few days, the former almost matching its original peak from 2023 and the latter being a new high by far. There is one debut this week, at #32, and it is, oddly, "Just The Way You Are" by Milky. (Who'd have ever predicted that to be the first "Just The Way You Are" to make this chart?) It's credited as "Milky x Mallgrab", a new version that was released last week (the name should be spelt 'Mall Grab'). Neither the original nor the remix has made the Spotify top 200 in Australia (the original is charting in the UK and both are charting in Ireland). It's not in the Apple Music chart either. I can only assume that both versions are currently bubbling under the top 200. It also enters the ARIA dance singles chart, at #5 (but not the new music chart, and not the Australian charts even though Mall Grab is Australian).
"Riptide" reaches #1 on the Australian singles On Replay chart for the first time, after 18 weeks of "Don't Dream It's Over" at #1, interrupted only by "Thunderstruck" (2 weeks) and "Snowman" (3 weeks). "The Less I Know The Better" also reaches a new peak at #3 (as do "Borderline" at #21 and "Let It Happen" at #38). Presumably due to Joji's new album, "SLOW DANCING IN THE DARK" is back in for the first time since November.
Bad Bunny's 2022 album "Un Verano Sin Ti" debuts on the On Replay albums chart at #47. (The song "Tití Me Preguntó" from it is #78 on the weekly Spotify chart, high enough that it probably should be in the On Replay singles chart but is missing. Also, 3 Doors Down's "Kryptonite" is #95, following the lead singer Brad Arnold's death - I'd guess it's also probably missing.)
Empire Of The Sun's "Alive" is gone from the Australian singles chart after its 10 weeks of charting there. It's still in the Australian singles On Replay chart currently, but also, I just noticed that it only appeared on the dance singles charts (overall and Australian) 3 weeks ago - and it remains on the Australian dance singles chart this week, so it presumably will still get its 10-week allowance there. (It's ahead of "Still Into You" there and "Still Into You" is in the Australian singles chart, so it should be safe to say that it has been removed from the Australian singles chart, not that it simply dropped out.) An overview of "Alive":
I'm probably forgetting something, but the most recent one I can think of is Los Lobos - La Bamba (#1 in 1987). Daddy Yankee - Gasolina (#12 in 2006) is close.
I thought of one! All the lyrics in Sash! - Adelante (#4 in 2000) are in Spanish. It's not as much of a vocal-led song, but I'd say it has enough words to count.
Sash!'s first 4 hits were in 4 different languages - "Encore une fois" in French, "Ecuador" in Spanish, "Stay" in English and "La Primavera" in Italian.
Thank you for your replies 392414 and brosa0. Very helpful! Despacito went Top 10 largely thanks to the remix with Justin Bieber, which has got English lyrics.
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