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LILLY WOOD & THE PRICK AND ROBIN SCHULZ - PRAYER IN C (ROBIN SCHULZ REMIX) (SONG)
Label:ATL/WAR
Entry:17/08/2014 (Position 25)
Last week in charts:18/01/2015 (Position 50)
Peak:7 (2 weeks)
Weeks:21
Place on best of all time:1579 (503 points)
Year:2014
Music/Lyrics:Nili Hadida
Benjamin Cotto
Producer:Pierre Guimard
Cover version of:Lilly Wood & The Prick - Prayer In C
World wide:
ch  Peak: 1 / weeks: 68
de  Peak: 1 / weeks: 59
at  Peak: 1 / weeks: 38
fr  Peak: 1 / weeks: 106
nl  Peak: 1 / weeks: 64
be  Peak: 1 / weeks: 28 (Vl)
  Peak: 1 / weeks: 38 (Wa)
se  Peak: 1 / weeks: 55
fi  Peak: 1 / weeks: 17
no  Peak: 1 / weeks: 24
dk  Peak: 1 / weeks: 24
it  Peak: 1 / weeks: 44
es  Peak: 1 / weeks: 54
au  Peak: 7 / weeks: 21
nz  Peak: 5 / weeks: 15

Cover


CD-Single
Warner 5054196-2011-2-8


TRACKS
06/06/2014
CD-Single Warner 5054196-2011-2-8 (Warner) / EAN 5054196201128
1. Prayer In C (Robin Schulz Radio Edit)
3:12
2. Prayer In C (Robin Schulz Remix)
5:24
   

AVAILABLE ON FOLLOWING MEDIA
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Number
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3:12Prayer In C (Robin Schulz Remix)Warner
5054196-2011-2-8
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MUSIC DIRECTORY
Lilly Wood & The PrickLilly Wood & The Prick: Discography / Become a fan
Robin SchulzRobin Schulz: Discography / Become a fan
LILLY WOOD & THE PRICK IN AUSTRALIAN CHARTS
Singles

TitleEntryPeakweeks
Prayer In C (Robin Schulz Remix) (Lilly Wood & The Prick and Robin Schulz)17/08/2014721
SONGS BY LILLY WOOD & THE PRICK
A Time Is Near
Box Of Noise
Briquet
By Myself
Collapse
Cover My Face
Down The Drain
Forget
Go Slow
Guys In Bands
Hey It's OK
Hopeless Kids
Hymn To My Invisible Friend
I Hate You
I Know I'll Never Be Young Again
I Love You
Into Trouble
Joni Mitchell
Kokomo
Kokomo (Lilly Wood And The Prick)
L.E.S Artistes
Le chant des sirènes
Le Mas
L'enfance
Let's Not Pretend
Little Johnny
Long Way Back
Mbe'hera la
Middle Of The Night
Mistakes
My Best
N'importe quoi
No Mark
No No (Kids)
Prayer In C
Prayer In C (Robin Schulz Remix) (Lilly Wood & The Prick and Robin Schulz)
Shadows
This Is A Love Song
Toi
Tout doux
Une vie comme ça (Lilly Wood And The Prick)
Water Ran
Where I Want To Be (California)
You Beast!
ALBUMS BY LILLY WOOD & THE PRICK
Invincible Friends
Shadows
The Fight
 
ROBIN SCHULZ IN AUSTRALIAN CHARTS
Singles

TitleEntryPeakweeks
Prayer In C (Robin Schulz Remix) (Lilly Wood & The Prick and Robin Schulz)17/08/2014721
Sun Goes Down (Robin Schulz feat. Jasmine Thompson)25/01/2015712
Headlights (Robin Schulz feat. Ilsey)28/06/2015213
Sugar (Robin Schulz feat. Francesco Yates)27/09/2015326
Shed A Light (Robin Schulz & David Guetta feat. Cheat Codes)18/12/20162312
 
Albums

TitleEntryPeakweeks
Prayer15/03/2015371
Sugar11/10/2015311
SONGS BY ROBIN SCHULZ
4 Life (Robin Schulz feat. Graham Candy)
Above The Clouds
Find Me (Robin Schulz & HEYHEY)
Fools (Robin Schulz & Aalias feat. Iro)
Ha Leh Lou Ya (Robin Schulz feat. Christy McDonald)
Headlights (Robin Schulz feat. Ilsey)
Heatwave (Robin Schulz feat. Akon)
Higher Ground
House On Fire (Robin Schulz & Me & My Monkey)
I Believe I'm Fine (Robin Schulz & Hugel)
Like You Mean It (Robin Schulz feat. Rhys)
Love Me A Little
Love Me Loud (Robin Schulz & M-22 feat. Aleesia)
Moonlit Sky (Robin Schulz & Moby with The Void Pacific Choir)
More Than A Friend (Robin Schulz feat. Nico Santos)
Naked (Robin Schulz feat. Sam Martin)
Never Know Me (Robin Schulz & Dansir)
Oh Child
Oh Child (Robin Schulz & Piso 21)
OK (Robin Schulz feat. James Blunt)
Prayer In C (Robin Schulz Remix) (Lilly Wood & The Prick and Robin Schulz)
Pride (Robin Schulz & soFly and Nius)
Right Now (Nick Jonas vs. Robin Schulz)
Same
Save Tonight (Robin Schulz & Moguai feat. Solamay)
Shed A Light (Robin Schulz & David Guetta feat. Cheat Codes)
Show Me Love (Robin Schulz & J.U.D.G.E.)
Snowflakes (Pingpong & Robin Schulz)
Sounds Easy (Robin Schulz feat. Ruxley)
Sugar (Robin Schulz feat. Francesco Yates)
Sun Goes Down (Robin Schulz feat. Jasmine Thompson)
Sunset
This Is Your Life
Titanic
Tonight And Every Night
Un sueno
Unforgettable (Robin Schulz & Marc Scibilia)
Warm Minds
Wave Goodbye (Robin Schulz & Henri PFR feat. Jeffrey Jey)
Willst du (Robin Schulz & Alligatoah)
World Turns Grey (Robin Schulz & HEYHEY feat. Princess Chelsea)
Wrong
Yellow (Robin Schulz & Disciples)
ALBUMS BY ROBIN SCHULZ
Prayer
Sugar
Tutti [EP]
Uncovered
 
REVIEWS
Average points: 3.75 (Reviews: 162)
Only the reviews in english are displayed: Show all languages
***
niemals ein Sommerhit?!
Well, ich denke das wird einer der Sommerhits 2014...leider :/
Zurzeit in CH, DE und AT doch ziemlich heiss unterwegs...
kann ich aber auch nicht so gut nachvollziehen...
Kann sogar langweilen dieses Ding! :o

edit: boooah geht mir dieses Ding auf den Sack!
Kann ich nicht mehr hören! Weitere Katastrophale #1 wie "Stolen Dance"! Ich verstehe es einfach nicht, wie solche Songs so viel Erfolg haben kann! Wer kauft so was?! -.- 3*-
Last edited: 21/06/2014 22:06
******
Amazing. Though it does sound a little like "Waves" it's not very obvious. It's equally as good as the original, I like the intricacy of the original but this remix is great also, Robin Schulz does this so well. I think I prefer "Waves" by a small margin however.
Last edited: 26/09/2014 04:10
*****
Has a great hook. I like it.

4 --> 5
Last edited: 11/08/2014 16:27
****
Like "Waves" this is better than the already solid original, quite an enjoyable track with good production.
****
Een zeer hitgevoelig en zwoelig zomerplaatje. Ik verwacht dat deze hoog staat de komende maanden, aangezien het een prima nummer is, al wil ik 'Bullit' liever als zomerhit. De zang kan misschien saai worden, maar ik vind het tot nu toe een aardig plaatje
******
Nice to see this becoming a massive hit, great song.

By far the best song this year and still ridiculously huge here. It will probably go down as THE house hit of the '10s.
Last edited: 15/10/2014 11:22
******
Oh my goodness, I have something special on my hands here. 10 seconds and I was hooked (even stopping the car to tweet about it!!!1)

The way the lyrics flow with the production is just great, and I love her voice. I hope this really blows up here à la Waves, and, in a perfect world, become even bigger than it.
*****
Great follow up to Waves. Summer chill!
*****
Cool.

EDIT: With more listens (not on radio, but on my own), I've come to love it and it is one of my favourite dance tracks of the year.

It is the ambiance and feel of the track that really pulls me in.

4* -> 5*.
Last edited: 08/12/2014 11:50
***
Hmmm, I like it.

The more I hear this the less I think of it, which is strange for something I haven't heard too much yet. I struggle to pay attention to the whole thing without zoning out, and that's because nothing happens. There's no variety in the music, melody or vocals; after the first 30ish seconds all that changes is the lyrics and they provide no interest for me. I want to like this more than I do because it does sound quite good, but there's nothing I get from hearing the full song that I wouldn't get from hearing just the iTunes sample. It doesn't build to anything exciting and there's not enough substance.
Last edited: 01/09/2014 14:16
****
Quite chilled. I'd say an improvement on 'Waves' but to me they are noticeably different. 3.5
****
Quite a chill song.
*****
House and dance songs like these tend to focus more on atmosphere than directionality and due to this they have rather ambiguous chord progressions. This slightly hails back to the Impressionist period of the late 19th/early 20th Centuries where French composers Debussy and Ravel composed in this nature almost as a rebellion against the mainstream German Western music and also as a way of discovering individuality. Like in Impressionist paintings (see Monet), the idea of 'suggesting' something rather than actually showing it is demonstrated with ambiguity of tonal structure and the use of chords for sonority over functionality and hence the main focus is the atmosphere.

Songs in this once-emerging-now-ever-popular style of electronic/house/dance possess similar traits in the fact that their chord progressions are rather ambiguous. They don't provide a directional tonal structure like in typical pop songs, as evident in the very strong use of interrupted cadences (V-vi) and the favouring of Chords III/iii or even the extremely unconventional VII (see Don't You Worry Child). The effect this has makes the listener focus rather on the timbre of sounds and the atmosphere and evoked emotion is found from the actual production of the song.

This explains why they have been such a variety of popular dance songs. Sound production and technology has allowed an almost limitless of different types of sounds to be created and they each evoke something different to the listener. Examples include the robotic metallic basses of dubstep, the purer 'pingy' higher pitched tones of Avicii, the 'video-game-esque' electronic sounds of Calvin Harris, acoustic guitars embraced by Milky Chance (and this song), classical instruments or even a saxophone. With such a focus on actual sound and timbre over harmony and pitch, the chords therefore act almost as a place holder to allow these other musical elements to shine. This isn't to say that the chord progression is irrelevant though, they just hold a different purpose. And as demonstrated earlier, their 'indirectionality' gives dance song sense of timelessness and this again helps with the creation of atmosphere.

This leads to why many dance songs have a sense of being everlasting, continued continuity and 'unfinished-ness.' You may notice that dance songs never end on a perfect cadence - they never sound like they end on a proper chord - and that the song could be continued afterwards. This is due to such an ambiguous and undefined chord progression that dance songs never actually feel like ending and producers are forced to use sudden fade-outs to end radio edits of dance songs. There is a purpose for this though. Producers and DJs don't allow their songs to have a proper sense of conclusion because this gives them the freedom to mix into other songs and continue the momentum into the next track.

"Prayer In C" is no exception to these elements of dance music, but because of the way the chords are structured, I really question if this is in C Major. The continued use of imperfect cadences and the constant switching between C and A minor rather gives this song a sense of bitonality, 2 harmonic keys. The fact that it starts on an A minor chord has me more convinced that this should be called "Prayer in A" but once again, it could be debated either way and it is just too ambiguous.

This is where I am going to be told that the title is derived from an original that I am yet to hear and that my spiel is therefore completely irrelevant. I think that is once again debatable and I will finish that is a very solid dance song with a really cool vibe to it.
*****
Ok
****
A good dance track in a year full of them. UK#1 and Ireland#1.
******
I love this. It's fantastic.
*****
Can see this become a real grower. Cool.
No surprise that it has grown on me a lot, 5 now.
Last edited: 13/10/2014 10:53
****
Ok
**
2 stars
*****
One of my favourite worldwide hits of 2014. Robin Schulz takes a rather brittle-sound indie folk tune, and optimises it for the dancefloor. Truth be told, he doesn't actually do a lot. The 'riff' is derived from the original tune, and most of what he seems to do is speed it up a little, and add the occasional drum fill. But then I do like the way the track is arranged. The best moment in the track is in the bridge where after the chorus is played through distortion, the instrumental hook comes back to play on its own, and that's when it sounds best. 4.7
****
Just slightly above average despite the many accolades I read. The lack of an effective build up would be what I find missing here. Nice for an occasional listen.
***
It really is a nothing track to me but I can't hate on it either.
***
BeansterBarnes already said what i wanted to say so... yeah.
*****
Nice
*****
Good chilled Dance song
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